策展人：朱莉娅·普拉·弗洛里安妮

　　摄影师：桑内·德·王尔德、彭祥杰、诺丽塔克·美波汀、李扬、潘钺、塔妮娅·布拉塞斯科和拉兹洛·帕西·诺波尔托

　　Curator：Giulia Pra Floriani

　　Photographers:Sanne De Wilde ,Peng Xiangjie,Noritaka Minami，Li Yang，Pan Yue，Tania Brassesco & Lazlo Passi Norberto

　　展览前言：

　　2016年的这个展览希望通过中外摄影师之间的对话，寻求不同文化背景下人们的相互理解。来自不同文化背景的人们相互交流时，往往会产生误解和困惑的现象，而对话和理解则是消除文化碰撞的有效手段。

　　摄影和视觉艺术是一种直接媒介，为不同文化间的沟通搭起了桥梁。摄影是世界语言，它打破了文化界限，包容了诸多差异，关注人类最基本的人性问题。多样的文化背景和个人经历在摄影师镜头下展现出了新的世界：不同的视觉语言和文化逻辑，为观众解读同一现象提供了多重视角。

　　比利时摄影家桑内·德·维尔德和中国摄影家彭祥杰，拍摄了中国南方的一个远离社会的小人国；他们分别用数码和传统摄影方法，捕捉人们眼中的这些怪人们所具备的特质。意大利摄影师塔尼亚和拉兹罗认为古代典籍和巨著是一个生动的过程，他们想要通过摄影重新展现这一过程；而北京艺术家潘钺则从中国传统文化视角出发，认为应向艺术史上的大师们表达诚挚的歉意。

　　核能是摄影师佩德罗·皮涅罗和李扬共同关注的焦点，前者拍摄了核事故发生多年后的切尔诺贝利，后者则将视角放到了自己童年时期生活的地方——一个不出名的小站404；前者表现耻辱感，后者描绘思乡之情；两位摄影师通过不同角度，让我们思索核能源影响下的生与死。

　　Pointing to the target of a concrete mutual understanding between different cultures, the 2016 exhibition proposes a dialogue between Chinese and foreign photographers. When mediating between people who pertain to different cultural background, misunderstanding and mutual incomprehension are common: just dialogue and comprehension present a valid solution to this contact-contrast.

　　Photography and visual art represent a direct medium which is able to build bridges between cultures, it is a universally understood language which breaks cultural borders and differences, underlying the humanity on the basis of our being. The diverse cultural background and personal experience act as a lens through which the photographer sees the world: the differences in visual perception and cultural comprehension enrich the spectator possibility of awareness of one same phenomenon.

　　The Belgian and Chinese photographers Sanne de Wilde and Peng Xiangjie express the existence of a surreal dwarves’ empire in southern China: they use respectively digital and traditional photography to capture the strong humanity of those who visitors perceive as freaks.

　　Italian photographers Tania and Lazlo think of ancient classics and masterpieces as a living process, that’s what moves them to remake hem through photographic medium, while the Beijing based artist Pan Yue rethinks them in a Chinese traditional perspective by apologizing to the masters of art history.

　　Nuclear power is the common theme Pedro Pinheiro and Li Yang focus on: the first of them shoots in Chernobyl after many years from a nuclear incident are gone, the second one focussing on the unknown site 404, where he’s been spending his childhood. Report of a disgrace in the first case, and nostalgic home diary in the second one, the two perception let us stand on different points perspective point, let us perceive both the life and death who emanates from the nuclear power.

　　作品欣赏：

Sanne De Wilde

Peng Xiangjie

Pedro Moura Pinheiro

Li Yang

Pan Yue

Tania and Lazlo